Literary
Terms
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Accent |
The way a character would
sound if he/she spoke |
|
Alliteration |
The repetition of a
consonant sound, usually at the beginning of two or more words in a line of
verse. ÒDoom is dark and deeper than any sea-dingle.Ó—W.H. Auden |
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Allusion |
A reference to some
person, place, or event with literary, historical, or geographical
significance. |
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Ambiguity |
When a word or phrase can
have more than one meaning. |
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Analogy |
A comparison of ideas or
objects which are essentially different but which are alike in one
significant way. |
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Apostrophe |
Direct address to
someone/something either present or absent. |
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Aphorism |
A brief saying embodying a
moral, a concise statement of a principle given in pointed words; a wise
saying that bears repetition; a bumper sticker saying. ÒImitation is
suicideÓ—Emerson |
|
Aside |
A short speech or remark
by a character in drama, directed at the audience or another character, which
by convention is supposed to be inaudible by the other characters on stage. |
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Assonance |
Repetition of non-initial (internal)
vowel sounds (out of sight, out of
mind; mad as a hatter). |
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Ballad |
A narrative that has
sprung from an unknown source and has been transmitted by word of mouth
(often altered in the process); was intended to be sung. It is usually about
a single person or event and often mourns someoneÕs death or misfortune. |
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Blank verse |
Unrhymed verse that is
most commonly written in iambic pentameter. ÒShall I compare thee to a
summerÕs day? Thou are more lovely and
more temperateÓ—Shakespeare |
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Caesura |
A pause or break within a
line of poetry, usually dictated by the natural rhythm of language. |
|
Catharsis |
Purging of emotions
usually associated with tragedy. |
|
Chiasmus |
Figure of Speech in which
two or more clauses
are related to each other through a reversal of structures in order to make a
larger point; clauses display inverted parallelism. Greek
= Òto shape like the letter XÓ
ÒAsk not what your country
can do for you, but what you can do for your countryÓ—J.F.K. |
|
Connotation |
The implied or suggested
meaning of a word or expression through emotional, literary, or sound
association. |
|
Consonance |
Repetition of final
consonant sounds (struts and frets; odds and ends). |
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Contrast |
A strong difference
between ideas/themes/characters etc. |
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Denotation |
The literal, ÒdictionaryÓ
meaning of a word or expression. |
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Dialect |
Non-standard use of words
and grammar, spoken by members of a regional group, nation, or social class. |
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Dialogue |
A conversation |
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Didactic |
A work designed to present
a moral, religious, political or some other sort of doctrine or teaching. |
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Elegy |
A poem of subjective or
meditative nature, especially one of grief. |
|
Elision |
When one words runs into
another |
|
Enjambment |
A line of verse in which
the natural pause does not coincide with the end of the line; a Òrun-onÓ to
the next line. |
|
Epic |
A long narrative poem
about heroic individuals performing acts of great consequence. |
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End Rhyme |
The rhyming of words at
the ends of lines of verse. |
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Episodic |
A work characterized by
loosely connected scenes. |
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Euphemism |
A mild and inoffensive
word or expression used in place of that which is harsh or unpleasant. ÒTo
pass awayÓ is a euphemism for Òto die.Ó |
|
Figurative Language |
Language used in such a
way as to force words out of their literal meanings and, by emphasizing their
connotations, to bring new insight to the subject described. |
|
Figures of Speech |
The general term for a
number of literary and poetic devices in which words or groups of words are
used in order to say something other than the literal meaning of words, and
often to create images in the readers mind. Examples include metaphor (including metonymy and synecdoche),
simile, personification, etc, |
|
Foot |
A literal division
consisting of one accented syllable and all unaccented syllables associated
with it. |
|
Free verse |
Verse which does not
conform to any fixed pattern. Poetic devices such as rhyme and rhythm occur
only incidentally. |
|
Heroic couplet |
A pair of rhymed verse
lines in iambic pentameter |
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Hubris |
Greek concept of excessive
pride. |
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Hyperbole |
A figure of speech
employing obvious exaggeration, for example: ÒHis mind was a million miles
away.Ó |
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Iamb |
Two-syllable metrical foot
consisting of one unstressed syllable followed by a stressed syllable. ( u / ) |
|
Iambic Pentameter |
A metrical line of five
iambs, commonly used in Shakespearean and Miltonic verse.
( u / u / u / u / u / ) ÒTwo households, both
alike in dignityÓ ÒThe course of true love
never did run smoothÓ --Shakespeare |
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Iambic Tetrameter |
A metrical line of verse
consisting of four iambs. ÒA waste of breath the
years behind In balance with this life,
this death.Ó --W.B. Yeats |
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Idiom / Colloquialism |
A language or manner of
speaking that is typical of a particular region or group of people. |
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Imagery |
A general term for any
representation of a particular thing with its attendant and evocative detail,
usually appealing to the five senses.
It may be a metaphor, a simile, or a straightforward description. |
|
Internal rhyme |
Rhyming of words within,
rather than at the end of, lines. |
|
Indentation |
Writing away from the
margin. |
|
Irony |
Situational Irony: A mode of expression in which the author says one
thing and means the opposite. The term also applies to a situation or the
outcome of an event (or series of events) that is contrary to what is
naturally hoped or expected. Dramatic Irony: Theatrical device where the audience understands or is more aware
than a character on the stage |
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Juxtaposition |
The placement of things
side by side to bring out a meaning that is not initially evident when they
stand alone (especially for contrast). |
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Lineation |
Arrangement in lines |
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Litotes |
Understatement for
emphasis. ÒRunning a marathon in two
hours is no small accomplishmentÓ The fountain was Ònot
without flowersÓ—Horace |
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Lyric |
Any short poem that seems
to be especially musical while expressing, in most instances, the poetÕs
clearly revealed thoughts and feelings. |
|
Metaphor |
An implied comparison
between two things: ÒOut, out
brief candle, lifeÕs but a walking shadow.Ó –Shakespeare |
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Meter |
Any regular pattern of
rhythm. |
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Metonymy |
A figure of speech
consisting of the use of the name of one thing for that of another of which
it is an attribute or with which it is associated. Ex. ÒThe White HouseÓ has decided to remain silent on the
issue.Ó White House=President |
|
Monologue |
A poem or passage in a
drama, in which a single character or actor speaks alone and, usually, at
some length about his internal thoughts. |
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Moral |
The lesson taught by a
literary work. |
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Motif |
A recurrent idea in
literature; a particular theme or character that reappears in a single work
or in several works. |
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Narrative Poem |
A story told in verse
form. |
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Octave |
First eight lines of a
sonnet, particularly the Italian sonnet. |
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Ode |
A lengthy, dignified lyric
poem or song expressing exalted or enthusiastic emotion, often about some
person or occasion worthy of esteem. |
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Onomatopoeia |
Words that sound like
their meaning ÒboomÓ ÒroarÓ ÒsnapÓ |
|
Oxymoron |
Two contradictory terms
put together for effect. |
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Paradox |
A statement which seems on
the surface contradictory, yet if interpreted figuratively, it involves an
element of truth. ÒMuch madness is divinest
senseÓ—Dickinson ÒSo foul and fair a day I
have not seenÓ—Shakespeare |
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Parody |
A humorous imitation or
burlesque of a serious piece of literature or art. |
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Pastoral |
Literature that deals with
rural life, usually in a sympathetic fashion. |
|
Pathetic fallacy |
When the surroundings
reflect the mood of the characters. Attribution of sentimental
feelings to non-human objects. |
|
Pathos |
That quality in prose or
poetry that evokes in the reader a feeling of pity and compassion. (pathos = Greek for
Òfeelings/emotionsÓ) |
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Pentameter |
Metrical line of five
feet. |
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Personification |
A figure of speech in
which places, things, animals, or ideas are endowed with human qualities. ÒThe hills united their
bonnetsÓ—Emily Dickinson |
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Perspective |
A way of looking at
something |
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Picaresque |
Loosely woven adventure
story, usually with a type of journey involved. |
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Proverb |
A brief, traditional
saying. |
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Pun |
A play on words; the use
of a word or words that are similar in form or sound different in meaning. ÒHe crashed his checks and
checked his cash.Ó |
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Qualeism |
A statement that is really
cool and/or awesome |
|
Quatrain |
A line or a group of lines
that is repeated at the end of each stanza in a poem; for example, the
refrain Òin the dust, in the cool tombsÓ closes each of the four stanzas of
Carl SandburgÕs poem. |
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Repetition |
Words, phrases, sentences
or structures repeated for emphasis |
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Rhetorical Question |
A question that is asked
for its dramatic effect and to which no answer is expected. |
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Rhyme |
Exact repetition of sounds
in at least the final accented syllables of two or more words. Different
types inc. end rhyme, full rhyme, internal rhyme |
|
Rhythm |
A series of stresses or
emphasis in a group of words, arranged so that the reader expects a similar
series to follow. These moments of emphasis may be of grammatical structure,
meaning, imagery, or feeling, as well as of sound. |
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Satire |
Any piece of writing that
criticizes manners, individuals, or political and social institutions by
holding them up for ridicule. |
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Scansion |
The analysis of the
rhythmic patterns of verse: its arrangement of accented and unaccented
syllables. |
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Sestet |
The concluding six lines
of a sonnet, particularly the Italian sonnet. |
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Simile |
A comparison between two
things using ÒlikeÓ or Òas,Ó and sometimes Òas,Ó Òthan,Ó ÒseemsÓ or "as if" (FrostÕs
favorite). |
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Slant Rhyme |
Shares the
same vowel sound but different ending consonant sounds (An Òalmost rhymeÓ) |
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Soliloquy |
A dramatic convention that
allows a character to speak his thoughts aloud to the audience. |
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Sonnet |
A poem with a traditional
form of fourteen lines of iambic pentameter. ÒIf itÕs square, itÕs a sonnetÓ –Thomas Foster |
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Spondee |
Metrical foot of two
accented syllables. ( / / ) |
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Standard English |
Standard use of English
words and grammar |
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Stanza |
A group of lines of verse,
generally four or more, arranged according to a fixed pattern. |
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Symbol |
An object that stands for,
or represents, an idea, belief, superstition, social or political
institution, etc. A pair of scales, for example, is often a symbol for
justice. |
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Synecdoche |
A figure of speech in
which the part stands for the whole, for example, ÒAll hands on deckÓ hands = crew |
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Trochee |
Two-syllable metrical foot
consisting of one stressed syllable followed by an unstressed syllable. ( / u ) |
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Tone |
The feeling conveyed by
the authorÕs attitude towards his subject and the particular way in which he
writes about it; the revelation of an authorÕs feelings through his choice of
words and images and through emphasis; for example: sarcastic, sentimental,
flippant. |